Wednesday, December 9, 2009
Sir Walter Scott
There are others like Mark Twain who apparently did not want to like the works of Scott, but their correspondence indicates they read his works avidly. His works obviously could not maintain the enormous popularity they enjoyed when Scott was alive, but new editions continue to find printers and critical works continue to have Scott as their focus. Next year will be the 200th anniversary of the first printing of "Lady of the Lake."
Should we read his works or allow them to fade into the mists of time?
Tuesday, November 3, 2009
Jessie Kesson
Jessie Kesson wrote for the Scots Magazine with the assistance of Neil Gunn and she also produced Women’s Hour on BBC radio. Her writing reflects the hardship of her own life, but the Daily Telegraph wrote, “Miss Kesson writes beautifully, her strong, delicate prose full of poetry and humour.
She wrote The White Bird Passes in 1958. Even though this novel has been adapted for television and Scottish poet has encouraged all to “beg, borrow or steal this book,” it gathers dust on library shelves.
Read this fine piece of literature before the bookwraith claims another victim.
Tuesday, September 22, 2009
The Lament of Flora McDonald
The Lament of Flora McDonald is one of Hogg’s most popular Jacobite songs and is featured on the University of Stirling’s research site studying James Hogg. This song was “first produced as a song sheet and later included in the Second Series of his Jacobite Relics in 1821. The tune and its accompaniment were written by Niel Gow junior, who apparently told Hogg that the melody was an ‘ancient Skye air’. Hogg is said to have written new lyrics for it, even though Gow provided original Gaelic verses, and Hogg was very proud of this song, noting in 1831: ‘I could hardly believe my senses that I had made so good a song without knowing it’. Its popularity is evident in a number of independent song sheets throughout the 1820s and ’30s. It also appeared in George Thomson’s Select Melodies of Scotland (1822), in The Border Garland (1828) and in Songs by the Ettrick Shepherd in 1831 where he calls it ‘Flora Macdonald’s Farewell’”. This quote is from the University site at http://www.jameshogg.stir.ac.uk/cd.php
and has MP3 files available for free download.Can you find this song elsewhere? Your local library? Can you find it on Amazon.com? Will this song only be heard while this study of James Hogg endures then fade into the mist of time? Listen to this song and share it with your friends or the bookwraith will claim another victim.
Monday, July 20, 2009
The Songs of James Hogg
In 2005 Professor Emeritus Douglas Mack, at the University of Stirling and Dr Kirsteen McCue of Scottish Literature at the University of Glasgow were awarded a major research grant of just over £150,000 from the Arts and Humanities Research Council. This grant is allowing Dr McCue, and Dr Janette Currie also of the University of Stirling, to undertake a major project on the songs of James Hogg, the Ettrick Shepherd.
This is alot of money to preserve the Jacobite songs of Hogg. Will this preserve them for generations to come? Have you seen any results from this grant? Some of the songs of Hogg's contemporary, Sir Walter Scott, are a part of our daily lives but we are not aware of his influence. Can you hum a tune of Hogg's?
Wednesday, June 24, 2009
James Hogg
Read the book if you can find it. Is it in your public library? It’s not in mine (I have my own copy, however). This is what happens to books when no one reads them. The Scottish literature and Scottish culture fades into the mist. One more book for the BookWraith.
Saturday, May 30, 2009
Founding Brothers
Saturday, April 25, 2009
Mollie Hunter
Friday, April 10, 2009
Makars
Since James Fenimore Cooper, Washington Irving and Nathaniel Hawthorne were influenced by Sir Walter Scott, perhaps they could be categorized as American Waverleys. ?
Monday, March 30, 2009
Rhyme Royal
With so much of the contemporary poetry written in free verse, does the use of traditional rhyme schemes seem more restrictive or is there just a lack of discipline in the creative skills of modern poets?
Tuesday, March 3, 2009
Joan Beaufort
Dream Literature
Cawdor
Friday, February 13, 2009
Kingis Quair
Thursday, February 5, 2009
Superstition
http://en.wikipedia.org/wiki/Theatrical_superstitions
Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth inside a theatre, particularly the Witches incantations. Outside of a theatre the play can be spoken of openly. If an actor speaks the name Macbeth in a theatre, he is required to leave the theatre building, spin around three times, spit, curse, and then knock to be allowed back in. There are several possible origins for this superstition. One is the assumption that the song of the Weird Sisters is an actual spell that will bring about evil spirits. Another is that there is more swordplay in it than most other Shakespeare plays, and the more swordplay must be rehearsed and performed, the more chances there are for someone to get injured. Yet another option is that the play is often run by theatres that are in debt and looking to increase patronage.
Macbeth's financial boost
http://www.angelfire.com/fl3/Defymcbeth/Super2.html
The superstition actually began in the old days of stock companies, which would struggle at all times to remain in business. Frequently, near the end of a season a stock company would realize that it was not going to break even and, in an attempt to boost ticket sales and attendance, would announce production of a crowd favorite . . . MacBeth.
If times were particularly bad, even 'the bard's play' would not be enough to save the company, therefore, MacBeth often presaged the end of a company's season, and would frequently be a portent of the company's demise.Therefore, the fear of MacBeth was generally the fear of bad business and of an entire company being put out of work.
Thursday, January 15, 2009
Biblical Influences
He states, "It is interesting to note the many ways one can find parallel between the story of the expulsion and Macbeth. The serpent tells Eve that eating from the tree will make her "like God," (Gen. 3:5), and Macbeth's sin is for the sake of becoming king. (Lady Macbeth, in fact, is enticed by her husband's letter, telling her that she will be queen. That is what inspires her to murder Duncan.) Adam's sin is often believed to be the cause of all suffering and evil in the world, and Macbeth's regicide is the beginning of Scotland's misery. The most recognizable similarity is probably the fact that it is the woman who has tempted the man to sin. "
Do you see the similarities?